His is a disciplined approach to work, usually writing from nine until six each day. "So I'm not surrounded by the rhythm of their speech." "Also, my children are grown up and no longer living at home.
"It struck me as a good idea to get out of the house and walk around and experience Dublin opening up, coming alive again. But since the lifting of lockdown he has acquired a room in the city centre where he'll also write. He has an attic office in his home where he writes. "That's especially true of The Commitments - and it gave me a template which I used for some years. I think that the best way of establishing characters is to get them talking. Pick up any of the early books, in particular, and you could almost be reading a screenplay. But now, 30 years later, I can take it all in my stride." I deliberately continued to use public transport, for example. "What I wanted more than anything was to get back to Ireland and live as near a normal life as possible. "It felt as if I'd become public property and I didn't like it. "But I do recall being taken away to be interviewed when all I wanted to do was get back to the table and share the moment with my wife and publisher. "I was delighted, although I can't remember what I said in my acceptance speech. His novel, Paddy Clarke Ha Ha Ha, about a rambunctious 10-year-old living in quickly changing north Dublin in 1968, won the prestigious Booker Prize. The Snapper and The Van followed in 19 respectively and, along with The Commitments, make up what is known as the Barrytown Trilogy.
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